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And there were about nine or 10 tunes that were basically the body of this record, and then there were about five or six other songs that felt like a different record, felt a little bit more in-your-face and aggressive and doomy, and they didn't seem to fit with this. So it's interesting because, in this demoing process, I just demo up what's striking me and go through a writing process. You just kind of go where you feel like the music's taking you naturally. You may have a handful of ideas that give you a little bit of a vibe of what it could be, just demoing up tunes like, “Okay, this is gonna be a heavy record,” or “This is gonna be a little bit more of an atmospheric, lighter record.” But you kind of come up with that in the process, and that's a nice surprise. When you start a record, for me, part of the fun is not knowing where you're going. Were you conscious of that dynamic while you were making this album? It's got some country elements it’s got slide guitar it's got some some sunny, upbeat melodies. You were a pioneer of the Seattle sound in the ‘90s, but when I listen to this record, I get much more of a California feel. I like the narrative, you know? And that goes from the surface all the way to the bottom.
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Like, “Holy shit, is he doing that there? What's he doing over here?” I love that depth. I love that you get more out of 10 listens and 20 listens and 30 listens. I think a lot of our music and the music that I've been a part of making, we've had some instant, like, "hell yeah" impactful songs and records, but they're really kind of built for the long haul. I grew up on a lot of records like that, and I've tried to create records like that. It has so many instrumental and melodic layers. This is an album that really lends itself to repeated listens. Shortly after the release of Brighten, Cantrell spoke to UCR about the songwriting process, his guitar-playing philosophy and opening for glam bands during Alice in Chains' early days. In a nod to his classic rock roots, Cantrell closes the album with a haunting cover of Elton John's "Goodbye," which earned the Rocket Man's seal of approval. But Brighten also exchanges dour, down-tuned alt-metal for bucolic folk tunes and swaggering country-rock, speckled with pedal steel guitar and smoky Hammond organ flourishes. Pop, R&B, Hip Hop, Rock, Alternative, Dance hall, EDM, and even more have blended together to create some new and unique songs and styles this year. If you don't recognize any of these artists or know what singles might belong to them, you probably have not turned on a radio for at least a year.īetween radio play, Apple music, Spotify, Youtube, and more, there is no shortage of access to music.The resulting nine-song project features the melancholy vocal harmonies and multilayered guitars that became Alice in Chains hallmarks. There were also some stand out debut artists making their way onto the music scene like Khalid and Julia Michaels. 2017 was also a big year for crossovers. There were also a few former group members that decided to branch out into their own solo careers, like Camila Cabello and Niall Horan. There were many hits from recent music heavy hitters like Ed Sheeran, Bruno Mars, Taylor Swift, and many more.